The first book Jashn-e-Khusrau: A Collection was published in 2010, and compiles scholarly research essays and a set of three Audio CDs featuring 6 performers from India and Pakistan. The exhibition catalogue, World of Khusrau: Innovations & Contributions comprehensively illustrate the vast range of Amir Khusrau's genius. With diverse and insightful visual references, it fully expands his works as they contribute to the making and continuity of Indo-Islamic cultural heritage. The third book, Jashn-e-Khusrau : A Collection was published in 2013 and introduces the multi-faceted genius of Khusrau in contemporary

The outreach aspect of the programme, JASHN enabled the public to be a part of the rich variety of performed traditions of Khusrau. It provided a platform where classical musicians perform alongside qawwali, folk and other contemporary performers from different parts of the sub-continent.The Jashn-e-Khusrau festivals also documented the multifarious contribution of this legendary figure in the field of music – from the popular qawwali and folk music genres to Hindustani classical music and contemporary interpretations.

Research and documentation of Khusrau’s works was carried out in different states, such as Punjab, Jammu and Kashmir, Rajasthan, West Bengal, Uttar Pradesh and Maharastra, which are available on www.aalamekhusrau.org, which contains interviews with scholars and musicians, academic discussion proceedings and festival films. The mobile application Aalam E Khusrau integrates the legacy of Amir Khusrau through five different walks connecting to its monuments, cuisines, poetic and Sufi heritage. The music app presents a representative sample collection of qawwali, folk and classical genres of music ascribed to Khusrau.

They are grouped into two categories –genre and artist – allowing the user to create playlists as per their choice.

The multimedia kiosk enables the visitor to have a cultural experience of the world of Khusrau. Interesting facets from Hazrat Amir Khusrau’s life, works and timeline are presented with interactive graphic description. The kiosk is placed at the basti office in Nizamuddin Basti, which is the starting point for the heritage walks. It provides an orientation to the visitors about the historical and cultural significance of the Nizamuddin Area and the cultural icons associated with it.

A series of audio-visual exhibitions on life and works of Amir Khusrau travelled to various parts of the country during 2013-14 in major cultural centres, organizations and universities. Drawing on the research and documentation carried out during the course of the programme, these exhibitions provided an in-depth understanding of the man and his contribution to the field of music and cultural history of medieval India. Multiple exhibitions were organized introducing the contributions of Khusrau in contemporary settings to provide a more comprehensive understanding of his multi-faceted genius, of the beginnings of art and culture in India’s medieval era, and of their continuity until the present day. A range of works - from art, architecture, literature and music - have been showcased through these exhibitions.

A large section of Amir Khusrau’s work is unknown to the general populace. It remains exclusively in the world of language and literature scholars, musicologists and historians – mainly because of the language barrier. The Symposiums and Lectures series discussed the plurality of Amir Khusrau’s contributions in the making of Hindustani cultural traditions. A series of nashist/panel discussions were held producing a body of focused discourse useful for a wide array of users through the medium of moderated discussions/ lecture-demonstrations/ debates of scholars, musicians, writers, poets, khuddam and select members of the Nizamuddin community to discuss the work and contribution of Hazrat Amir Khusrau ‘Dehlavi’.

A range of concerts and recitals have taken place showcasing Khusrau’s contribution to the world of music. Musicians from India and abroad have performed various forms of his compositions, including ragas, bandishes, taranas, ghazals and masnavis. Along with such classical styles, his vernacular compositions, as well as regional renditions of his kalaam have been sung. Further, contemporary interpretations of his work were performed, producing a fresh wave of interest in Khusrau and highlighting his continued relevance.

As part of spreading the legacy of Amir Khusrau, a 36-minutes documentary film titled ‘Khusrau Darya Prem Ka’ has been produced. Directed by Yousuf Saeed in Hindustani and Persian language with English subtitles, the film explains the 14th century poetcomposer, Amir Khusrau ‘Dehlavi’ in today’s context. Besides using the dramatic technique of dastangoi (traditional storytelling in Urdu) to tell the story of Amir Khusrau, the film also uses some renderings of Khusrau’s popular poetry in the voices of traditional qawwals, as well as in beautiful forms of Urdu-Persian calligraphy.

Assuming the larger geographical area of Amir Khusrau’s influence in Rajasthan, Punjab, Kashmir, Uttar Pradesh and Bihar, the documentation unit of the project identified and recorded oral histories and performed repertoires of Amir Khusrau. Apart from Qawwali, the performed repertoire of Khusrau has been collected from the classical, folk and other contemporary genres. The archive now contains high resolution scans of manuscripts, illustrations, academic works and other tangible items pertaining to the legacy of Khusrau.

Through exhaustive field trips to cultural organizations working in the field of Khusrau, known and unknown musicians singing Khusrau, the project has created a repository of a rich archive on the life and works of Hazrat Amir Khusrau. The video archive contains a database of interviews with artists, scholars and musicians with over 150 videos, out of which over 90 videos have already been uploaded on Youtube.

The music archive has a collection of more than 500 tracks ranging from qawwali to Hindustani classical and folk. Part of this grand collection has been disseminated through the release of music CDs, online playlist and also as part of various publications

A series of scholars, musicians, writers, poets and select members of public came together to discuss the works and contributions of Khusrau across various genres. Through the medium of moderated discussions, the nashisht’s produced a body of focused discourse useful for a wide array of users.

Experts like Sitar maestro Ustad Saeed Zafar Khan, scholar Prof. Krishna Bisht, performer Vidya Rao and music critic S. Kalidas Iyer, and Urdu poet Gulzar Dehlavi s lectured on literary aspects of Amir Khusrau’s Persian and Hindavi poetry and performed his music. Scholars Prof. Syed Shahid Mahdi, Prof. Purushottam Agrawal, Prof. Mujeeb Rizvi and Sohail Hashmi participated in panel discussions on the contribution of Khusrau to the making of Hindustani culture.

Scholarships were given to three musicians to acquire different aspects of performed traditions of Amir Khusrau than what they have been already trained at. Each pair consisted of a disciple/s paired with a guru. The focus of their learning was ragas and compositions attributed to Amir Khusrau, and learning the classical compositions to enhance their own repertoire. The period of fellowship was for six months and culminated with a public performance of their learnings.